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电影 镜子的另一面：纽波特民歌艺术节1963~1965

镜子的另一面：纽波特民歌艺术节1963~1965

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  • 片名： 镜子的另一面：纽波特民歌艺术节1963~1965
  • 状态： 高清
  • 主演： Bob Dylan  Joan Baez  Judy Collins  
  • 导演： Murray  Lerner  
  • 年份： 0
  • 地区： 美国
  • 类型： 剧情片 /
  • 时长：内详
  • 上映：于0美国首播
  • 语言：英语
  • 更新：2022-11-08 19:20
  • 简介：　　

    "BobDylangoingelectric"atthe1965NewportFolkFestivalisoneofthoseepochalmomentsinrockhistorythatseeminglyeveryonehasheardabout,butwhatfewpeopleseemtoknowisthatitwasn’tsomeephemeraleventthatweonlyknowfromwordofmouth--filmmakerMurrayLernerdocumentedtheperformancesattheNewportFestivalforseveralyearsrunning,andTheOtherSideoftheMirrorcollectsfootagefromthethreeyearsDylanappearedatthecelebratedfolkgathering,allowingustoseeDylan’srisethroughthefolksceneforourselves.WatchingLerner’sdocumentary,what’smostremarkableishowmuchDylanchangedoverthecourseof36months;theyoungfolkieperformingattheafternoon"workshop"atthesideofJoanBaezin1963isatoncenervyandhesitant,singinghiswordytuneswhilechoppingawayathisacousticguitarandenergizingthecrowdwithoutseemingtoknowjustwhathe’sdoing.In1964,DylanallbutownsNewport,andheclearlyknowsit;he’sthetalkoftheFestival,withBaezandJohnnyCashsinginghispraises(andhissongs),andhiscommandofthestageisvisiblystrongerandmoreconfidentwhilehisnewmaterial(including"Mr.TambourineMan"and"ItAin’tMe,Babe")seeshimmovingawayfromthe"protestsongs"thatfirstmadehisname.WhentheaudiencedemandsanencoreafterDylan’seveningset(OdettaandDaveVanRonkwerescheduledtofollowhim),PeterYarrowtriestokeeptheshowmovingalongwhileDylanbeamsatthecrowd’sadulation,liketherockstarhewasquicklybecoming.Bythetimethe1965NewportFestivalrolledaround,Dylan’sepochal"LikeaRollingStone"wasstartingtoscalethesinglescharts,andthehardcorefolkaudiencewasclearlyoftwomindsabouthispopular(andpopulist)success.WhenDylan,FenderStratocasterinhand,performs"Maggie’sFarm"backedbyAlKooper,MikeBloomfieldandtherhythmsectionfromthePaulButterfieldBluesBand,theraucousbuthard-drivingnumberinspiresacuriousmixtureofenthusiasticcheeringandequallyemphaticbooing,andwhilelegendhasitthattheversionof"LikeaRollingStone"thatfollowedwasashambles,thesongcooksdespitedrummerSamLay’sdifficultyinfindingthegroove,thoughifanythingthedivisionofthecrowd’sloyaltiesisevenstrongerafterward.Afterthesetwonumbers,Dylanandhisbandleavethestage,withYarrow(onceagainservingasMC)citingtechnicalproblems(ifPeteSeegerreallypulledthepoweronDylan,aslegendhasit,there’snosignofithere);Dylanreturnstothestagewithanacousticsix-stringtosing"Mr.TambourineMan"and"It’sAllOverNow,BabyBlue"beforevanishingintothenightwithoutcomment.WhilemuchoftheaudienceatNewportin1965wantedthe"old"Dylanback,hisstrong,willfulperformancesevenontheacousticstuffmakesitobviousthatthescrappysemi-amateurwesawatthebeginningofthemoviewasgoneforever,andtheovationssuggestmorethanafewpeoplewantedtoseeDylanrock.Lerner’sfilmtellsusacertainamountofwhatwealreadyknows,butitgentlydebunksafewmythsaboutDylanduringthispivotalmomentinhiscareer,andhisperformancesarecommittedandforcefulthroughout;nomatterhowmanytimesyou’vereadaboutDylan’sNewportshoot-outof1965,seeingitisarevelatoryexperience,andLernerhasassembledthisarchivalmaterialwithintelligenceandtaste.Thisismust-seeviewingforanyoneinterestedinDylanorthefolksceneofthe’60s.

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"BobDylangoingelectric"atthe1965NewportFolkFestivalisoneofthoseepochalmomentsinrockhistorythatseeminglyeveryonehasheardabout,butwhatfewpeopleseemtoknowisthatitwasn’tsomeephemeraleventthatweonlyknowfromwordofmouth--filmmakerMurrayLernerdocumentedtheperformancesattheNewportFestivalforseveralyearsrunning,andTheOtherSideoftheMirrorcollectsfootagefromthethreeyearsDylanappearedatthecelebratedfolkgathering,allowingustoseeDylan’srisethroughthefolksceneforourselves.WatchingLerner’sdocumentary,what’smostremarkableishowmuchDylanchangedoverthecourseof36months;theyoungfolkieperformingattheafternoon"workshop"atthesideofJoanBaezin1963isatoncenervyandhesitant,singinghiswordytuneswhilechoppingawayathisacousticguitarandenergizingthecrowdwithoutseemingtoknowjustwhathe’sdoing.In1964,DylanallbutownsNewport,andheclearlyknowsit;he’sthetalkoftheFestival,withBaezandJohnnyCashsinginghispraises(andhissongs),andhiscommandofthestageisvisiblystrongerandmoreconfidentwhilehisnewmaterial(including"Mr.TambourineMan"and"ItAin’tMe,Babe")seeshimmovingawayfromthe"protestsongs"thatfirstmadehisname.WhentheaudiencedemandsanencoreafterDylan’seveningset(OdettaandDaveVanRonkwerescheduledtofollowhim),PeterYarrowtriestokeeptheshowmovingalongwhileDylanbeamsatthecrowd’sadulation,liketherockstarhewasquicklybecoming.Bythetimethe1965NewportFestivalrolledaround,Dylan’sepochal"LikeaRollingStone"wasstartingtoscalethesinglescharts,andthehardcorefolkaudiencewasclearlyoftwomindsabouthispopular(andpopulist)success.WhenDylan,FenderStratocasterinhand,performs"Maggie’sFarm"backedbyAlKooper,MikeBloomfieldandtherhythmsectionfromthePaulButterfieldBluesBand,theraucousbuthard-drivingnumberinspiresacuriousmixtureofenthusiasticcheeringandequallyemphaticbooing,andwhilelegendhasitthattheversionof"LikeaRollingStone"thatfollowedwasashambles,thesongcooksdespitedrummerSamLay’sdifficultyinfindingthegroove,thoughifanythingthedivisionofthecrowd’sloyaltiesisevenstrongerafterward.Afterthesetwonumbers,Dylanandhisbandleavethestage,withYarrow(onceagainservingasMC)citingtechnicalproblems(ifPeteSeegerreallypulledthepoweronDylan,aslegendhasit,there’snosignofithere);Dylanreturnstothestagewithanacousticsix-stringtosing"Mr.TambourineMan"and"It’sAllOverNow,BabyBlue"beforevanishingintothenightwithoutcomment.WhilemuchoftheaudienceatNewportin1965wantedthe"old"Dylanback,hisstrong,willfulperformancesevenontheacousticstuffmakesitobviousthatthescrappysemi-amateurwesawatthebeginningofthemoviewasgoneforever,andtheovationssuggestmorethanafewpeoplewantedtoseeDylanrock.Lerner’sfilmtellsusacertainamountofwhatwealreadyknows,butitgentlydebunksafewmythsaboutDylanduringthispivotalmomentinhiscareer,andhisperformancesarecommittedandforcefulthroughout;nomatterhowmanytimesyou’vereadaboutDylan’sNewportshoot-outof1965,seeingitisarevelatoryexperience,andLernerhasassembledthisarchivalmaterialwithintelligenceandtaste.Thisismust-seeviewingforanyoneinterestedinDylanorthefolksceneofthe’60s.

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